The proud eagle on the red-chalk drawing was copied from a relief in the porch of the Santi Apostoli church in Rome. The sheet’s dimensions were larger than the album’s, so it had to be folded. The brisk penwork in the black overdrawing is probably the mark of Giovanni Battista Piranesi himself and records losses and structural flaws in the ancient relief. The drawing’s verso (glued to the album leaf and not visible) also contains inscriptions in his hand.
Album 1
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Album 1, Leaf 35
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